Storyboard artist: storyboards and animatics for advertising and film

I'm a storyboard artist and I turn scripts, briefs, and raw ideas into clear visual sequences that the whole film crew can work from. For over ten years I've been drawing storyboards for commercials, music videos, short films, and animation, so I know how to read a script and break it down into shots that convey action, emotion, and rhythm. When you bring a concept, I parse it by shots: deciding what the camera sees, how characters move through space, and how one moment flows into the next.

My frames aren't just pretty pictures. Each panel contains information the director, cinematographer, and editor actually need: camera angle and lens character, movement arrows for pans, tilts, and dolly shots, framing notes, and descriptions in plain language. I work at the level of detail the stage requires: from quick thumbnails for pitches to neat tonal storyboards for client presentations. When needed, I assemble them into an animatic with rough timing so you can feel the pace before the first shoot.

I work closely and make changes quickly, because previz exists to save money and stress on set. Give me a deadline and a couple of references — I'll keep a unified style, flag potential editing problems in advance, and deliver files ready to go into your production pipeline.

— Storyboards for advertising, music videos, film, and animation
— Animatics with rough timing and basic sound sync
— Framing, camera angles, and lens selection
— Movement arrows for pans, tilts, dollies, and zooms
— Thumbnails for pitches and clean storyboards for presentations
— Previz for complex action and VFX sequences