About the service
A wedding deserves more than just ground-level filming — a bird's-eye view adds scale and emotion that no other method can capture: guests rising as the bride appears, the aisle under an arch of raised hands, the entire courtyard or garden in one frame. I offer drone aerial filming services specifically for wedding ceremonies and receptions, and the main rule of my work is that the device must not interfere with the newlyweds, guests, or the main video operator on the ground.
Before filming I study the venue in advance: either I visit in person or I ask for video and photos of the territory if an advance visit isn't possible. I check flight restrictions in that area, note trees, wires and nearby structures, and plan the route so the drone maintains a safe height and distance during the ceremony itself. During the vows and ring exchange, I switch to the quietest flight mode and hover high and stable — the propeller noise should not compete with the officiant's voice or live music.
After the official part, dynamic filming begins: the newlyweds' exit, confetti toss, overhead group shots, and if the couple wishes — a smooth flyover of the entire venue before the reception starts. I always coordinate the filming plan in advance with the ground photographer and videographer, share a shot list and timing so everyone stays out of each other's way — the drone yields airspace and angles to the ground team during the most important moments, especially during the kiss and vows.
At the reception we can film the newlyweds' entrance into the hall, the first dance with a smooth overhead flyover and, if evening flight permits, final shots of garlands and lights over the venue. From the filming you receive a finished edited video — usually two to four minutes, color correction matched to ground footage, editing to your chosen music (or I'll select licensed tracks), plus the original aerial footage in case your editor wants to include it in the full film. All materials are provided with rights for personal and family use, and for wedding planners or venues that need footage for their own advertising, I provide an extended commercial license.
Booking is simple: send me the date, venue address and approximate guest count — within one to two days I'll confirm that flights are allowed in that area and discuss a backup plan in case of wind or rain. A written contract, Plan B for bad weather and a deposit to secure the date are mandatory parts of the process so there are no surprises on the wedding day.
Before filming I study the venue in advance: either I visit in person or I ask for video and photos of the territory if an advance visit isn't possible. I check flight restrictions in that area, note trees, wires and nearby structures, and plan the route so the drone maintains a safe height and distance during the ceremony itself. During the vows and ring exchange, I switch to the quietest flight mode and hover high and stable — the propeller noise should not compete with the officiant's voice or live music.
After the official part, dynamic filming begins: the newlyweds' exit, confetti toss, overhead group shots, and if the couple wishes — a smooth flyover of the entire venue before the reception starts. I always coordinate the filming plan in advance with the ground photographer and videographer, share a shot list and timing so everyone stays out of each other's way — the drone yields airspace and angles to the ground team during the most important moments, especially during the kiss and vows.
At the reception we can film the newlyweds' entrance into the hall, the first dance with a smooth overhead flyover and, if evening flight permits, final shots of garlands and lights over the venue. From the filming you receive a finished edited video — usually two to four minutes, color correction matched to ground footage, editing to your chosen music (or I'll select licensed tracks), plus the original aerial footage in case your editor wants to include it in the full film. All materials are provided with rights for personal and family use, and for wedding planners or venues that need footage for their own advertising, I provide an extended commercial license.
Booking is simple: send me the date, venue address and approximate guest count — within one to two days I'll confirm that flights are allowed in that area and discuss a backup plan in case of wind or rain. A written contract, Plan B for bad weather and a deposit to secure the date are mandatory parts of the process so there are no surprises on the wedding day.
